Pavitraa Jyaamiti Aur Praakritik Vigyaan

Pavitraa Jyaamiti Aur Praakritik Vigyaan

 

Praacheen Misravaasiyon Ke Liye Jyaamiti, Binduon, Rekhaaon, Satahon Tatha Pindaon Ke Adhyayan Wa Unake Guna Aur Maapn Se Kaheen Zayaada Tha. Praacheen Misr Me Jyaamiti Ke Saamnjasya Ko Sansaar Ki Mool Daiveeya Yojana Ki Sabase Thos Abhivyakti Maana Jaata Thaa—Us Adhyaatmik Yojana Ki Jo Bhautik Ko Nirdhaarit Karati Hai.

Praacheen Misravaasiyon Ke Liye, Jyaamiti Vah Maadhyam Tha, Jisaki Sahaayata Se Insaan Daiveeya Vyavastha Ke Rahasyon Ko Samajh Sakata Tha. Jyaamiti Prakriti Me Har Jagah Maujood Hai: Isaki Vyavastha Anauon Se Lekar Akaashagngaaon Tak, Har Cheez Ki Sanrachana Ka Adhaar Hai. Jyaamiteeya Swaroop Ki Prakriti Ise Kaaryasheel Banaaye Rakhati Hai. Pavitraa Jyaamiti Ke Siddhaanton Ka Upayog Karane Vaali Akriti Apna Lakshya Avashya Praapt Karati Hai, Arthaat Kaarya Ke Karane/Hone Ko Saakaar Karati Hai.

Pavitraa Jyaamiti Na Keval Jyaamiteeya Akritiyon Ka Anupaat Nikaalane Ke Kaam Ati Hai, Balki Vah Sampoorna Aur Khanda Ke Beech Apasi Taalamel Ko Bhi Bataati Hai, Jaise Insaan Aur Usake Angon Ka Saamnjasy, Paudhon Aur Pashuon Ki Sanrachanaayen, Kristal Aur Praakritik Vastuon Ke Swaroop—Ye Saari Ki Saari Brahmaandeeya Nirantarata Ki Abhivyaktiyaan Hain.

Divya Saamnjasyapoorna Anupaat (Pavitraa Jyaamiti) Ki Kunji, Vrixiddh Ki Pragati Aur Anupaat Ke Beech Sambandh Hai.

Vikaas Aur Layabaddh Anupaat Srijit Brahmaanda Ka Saar Hai. Yah Hamaare Asapaas Ki Prakriti Me Hota Rahata Hai. Hamaare Asapaas Prakriti Is Taalamel Ka Paalan Karati Hai. Praakritik Pragati Ek Shrrinkhala Hai, Jise Pashchim Me ‘‘Fibonacci Series’’ Ya Bhaarat Me ‘‘Hemachndra Shreni’’ Ke Naam Se Jaana Jaata Hai.

Choonki Is Shrrinkhala Ka Astitva Fibonacci (Janm 1197 A.D.) Ke Pahle Se Tha, Isaliye Ise Usake Naam Se Nahi Bulaaya Jaana Chaahiye. Na To Khaud Fibonacci Ne Aur Na Hi Unake Pashchimi Tippanaeekaaron Ne Kabhi Yah Daava Kiya Ki Yah Unaki ‘‘Rachanaa’’ Hai. Isaliye Chaliye Ham Ise Vaise Hi Bulaate Hain Jaisi Ki Yah Hai—Yaani Ham Ise Yog Shrrinkhala Bulaate Hain. Yah Ek Pragatisheel Shrrinkhala Hai, Jisame Ap Praacheen Misri Pranaali Ke Do Praathamik Sankhyaaon Yaani 2 Aur 3 Ke Saath Shuru Karate Hain. Fir Ap Usake Yog Ko Agali Sankhya Ko Jod Sakate Hain, Aur Isi Prakaar Age Jodate Ja Sakate Hain,- Koyi Bhi Sankhya Apne Do Poorvavarti Sankhyaaon Ka Yog Hoti Hai. Atah Yah Shrrinkhala Kuchh Is Prakaar Banegeeah

2, 3, 5, 8, 13, 21, 34, 55, 89, 144, 233, 377, 610,…

Yah Shrrinkhala Samast Prakriti Me Dikhaayi Deti Hai. Kisi Soorajamukhi Ke Beejon Ki Sankhya, Kisi Fool Ki Pankhudiyan, Cheed Ke Shnkuon Ki Vyavastha, Kisi Notilas Khol Ka Vikaas, Aadi-Ye Sabhi Shrrinkhala Ke Isi Pattern Ka Paalan To Karati Hain.

Is Baat Ke Bharapoor Saakshya Maujood Hain Ki Praacheen Misravaasiyon Ko Yog Shrrinkhala Ka Gyaan Tha. Praacheen Misri Itihaas Ke Lambe Daur Me Nirmit Mandiron Aur Maqabaron Ki Yojanaayen, Darshaati Hain Ki Mandiron Ke Pramukh Bhaagon Ko Unake Lambavat Akshon Ke Saath Yog Shrrinkhala, Arthaat 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, 233, 377, 610… Ke Anusaar Sthaapit Kiya Gaya Hai.

Praacheen Misri Smaarakon Ke Parimaana Ko Haath Ke Praacheen Misri Ikaayi (1. 72 Feet/2. 528 Meter) Ke Roop Me Dikhaaye Jaane Par, Yah Baat Sheeshe Ki Tarah Saaf Ho Jaati Hai Ki Yog Shrrinkhala Praacheen Misri Dimaag Ki Upaj Hai. Yog Shrrinkhala Ko Misri Ganit Ki Abhivyakti Maana Ja Sakata Hai, Kyonki Yah Poori Tarah Se Isake Anuroop Hai, Aur Jise Har Kisi Ne Anivaarya Yojya Prakriya Ke Roop Me Paribhaasit Kiya Hai.

Is Baat Ke Pakke Saboot Hain, Ki Misriyon Ko Yog Shrrinkhala Ke Baare Me Tab Bhi Gyaan Tha Jab 2500 Eisa Poorv Me Khafra Ke Pyramid (Chephren) Mandir (Shavagrih Ke Galat Pahachaan Vaale) Ka Nirmaana Hua Tha, Arthaat Fibonacci Se Lagabhag 3,700 Varsh Pahle.

Mandir Ke Mukhya Bindu (Yahaan Dikhaaye Gaye) Yog Shrrinkhala Ka Paalan Karate Hain, Jinaki Kul Lambaayi, Pyramid Se Maape Jaane Par 233 Haath Baithati Hai, Jisame Lagaataar Das Shrrinkhalaayen Hai.

The key to divine harmonic proportion (sacred geometry) is the relationship between progression of growth and proportion. Harmonic proportion and progression are the essence of the created universe. It is consistent with nature around us. Nature around us follows this harmonious relationship. The natural progression follows a series that is popularized in the West as the “Fibonacci Series”.

Aajkal Ke Jyaamiti Shabd Ke Sankeerna Prayog Ke Apekshaya, Hamaare Adhunik Jyaamiti Ke Sabhi Pahalu Bahut Zamaane Pahle Praacheen Misr Me Siddh Ho Chuke The. Unake Unnat Gyaan Ka Saboot, Amataur Par ‘‘Ganiteeya’’ Papyri Ke Naam Se Vikhyaat Praacheen Misri Papyri Me Milata Hai. Is Papyri Ke Baare Me Aur Adhik Jaanakaari Isi Adhyaaya Me Age Di Gayi Hai.

 

[isaka ek ansh:Praacheen Misri Sanskriti Ka Rahasyodghaatan -Vistaarit Dviteeya Sanskaran dvaara likhit Moustafa Gadalla]

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Pustak kray aautalet: 

u – peedeeeph praaroop smashwords.chom par upalabdh hai
bee- epab praaroop https://books.applai.chom/…/moustaf-gadall/id578894528 aur smashwords.chom par kobo.chom, applai par upalabdh hai.
see – mobee praaroop  smashwords.chom par upalabdh hai