{"id":60065,"date":"2022-12-25T22:36:07","date_gmt":"2022-12-26T03:36:07","guid":{"rendered":"https:\/\/egyptianwisdomcenter.org\/?post_type=product&p=60065"},"modified":"2024-06-01T04:37:08","modified_gmt":"2024-06-01T08:37:08","slug":"the-enduring-ancient-egyptian-musical-system-theory-and-practice-second-edition","status":"publish","type":"product","link":"https:\/\/egyptianwisdomcenter.org\/it\/product\/la-duratura-teoria-e-pratica-del-sistema-musicale-egiziano-seconda-edizione\/","title":{"rendered":"Il duraturo sistema musicale, teoria e pratica dell'antico Egitto: seconda edizione"},"content":{"rendered":"
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This Expanded Edition of the book: The Enduring Ancient Egyptian Musical System is divided into seven parts containing a total of 22 chapters and five appendices.<\/p>\n

Part I: Prelude consists of one chapter:<\/p>\n

Chapter 1: The Egyptian Musical System will cover a quick background overview of the Egyptian musical system, as evident in its archaeological findings.<\/p>\n

Part II: The Harmony of The Spheres consists of four chapters\u20142 through 5:<\/p>\n

Chapter 2: The Archetypal Cosmic Musical System will cover the basis and role of the harmony of the spheres in adopting the diatonic musical scale as the archetypal musical system.<\/p>\n

Chapter 3: Music All the Time (24 hours, 7 days) will cover and explain the correlations between the hours of the days of the week and their corresponding musical notes.<\/p>\n

Chapter 4: Energizing the Diatonic Week will cover the natural musical scale, its two energy Centers, and the Egyptian Dorian D-scale.<\/p>\n

Chapter 5: The Harmonic Three Components will cover the primary basics of the Egyptian harmonic canon, the three primary quantal vowels\/sounds, and the triadic musical\/linguistic core.<\/p>\n

Part III: The Musical Notes consists of two chapters\u20146 and 7:<\/p>\n

Chapter 6: The Derivatives of The Perfect Fifth will cover how the Perfect Fifth progression creates all harmonic musical notes; and how the natural progression of the Perfect Fifth leads to the determination of the Egyptian musical measuring units.<\/p>\n

Chapter 7: The Musical Measuring Unit will explain how the Egyptian musical measuring units is the only measuring unit for all natural harmonic tones\u2014east and west; its application to the twin-scale [authentic and plagal]; and its application to both the cyclic and divisive methods of instrument tuning.<\/p>\n

Part IV: The Egyptian Musical Composition Code consists of six chapters\u20148 through 13:<\/p>\n

Chapter 8: The Musical Framework Varieties will cover the overall tone system, giving an example of a scale based on the cyclic framework, and another based on the divisive framework.<\/p>\n

Chapter 9: Modes and Musical Structural Forms will cover the musical ethos\u2014moods and modes and the overall basic design characteristics of modes.<\/p>\n

Chapter 10: The Musical Lyrics will cover the Egyptian vocal musical themes; and the major parts of human-generated (vocal) sounds and its equivalent in musical instruments.<\/p>\n

Chapter 11: The Seamless Language of\/and Music will cover the intimate relationship between the Egyptian alphabetical language and the musical system; the significance of musicality in Ancient Egyptian literature; the utilization of letters as musical notes; the modulation of individual sound values; and the intimate relationships between music pulsation and the rhythmic flow of syllable streams.<\/p>\n

Chapter 12: The Musical Performance will cover the significance and roles of the fingers and their knuckles in producing and directing musical performances; as well as the varied methods for maintaining the rhythmic timing\/ tempo\u2014including the use of syllables.<\/p>\n

Chapter 13: The Egyptian Tonal Writing System will cover the preeminence of Ancient Egyptian tonal writings as well as the primary writing components of lyrical\/musical texts.<\/p>\n

Part V: The Egyptian Musical Instruments consists of four chapters\u201414 through 17:<\/p>\n

Chapter 14: The Wealth of Instruments will cover the general characteristics of Egyptian instruments as well the major components of the musical orchestra.<\/p>\n

Chapter 15: Stringed Instruments will cover various Ancient Egyptian stringed instruments such as lyres, tri-gonon (zither), harps (including playing techniques); The All-Encompassing Capacities of Ancient Music; string instruments with neck such as the short-neck Lute; the long-neck Egyptian guitars; and Bowed Instruments [Kamanga, Rababa].<\/p>\n

Chapter 16: Wind Instruments will cover the end-blown flute; transverse flute; pan flute; single reed pipe (clarinet); double pipe; double clarinet; double oboe; arghool; others (bagpipe and organ); and horns\/trumpets.<\/p>\n

Chapter 17: Percussion Instruments will cover the membranophone instruments such as drums and tambourines; and the non-membranophone (idiophone) instruments such as percussion sticks, clappers, sistrums\/sistra, cymbals, castanets, bells (chimes), xylophone and glockenspiel and human parts (hands, fingers, thighs, feet, etc.).<\/p>\n

Part VI: Maintaining The Heavenly Rhythms consists of four chapters\u201418 through 21:<\/p>\n

Chapter 18: The Universal Harmony will cover the role of music in maintaining the universal balance; the significance of alternating performance theme of balanced polarity; and the Dorian musical suites.<\/p>\n

Chapter 19: Rhythmic Dancing will cover the significance of dancing as well as dancing types and formations.<\/p>\n

Chapter 20: The Harmonic Practices will cover the profession of musicians in Ancient (and present-day) Egypt; the temple musical activities; and the applications of music in various public activities.<\/p>\n

Chapter 21: The Harmonic Sound Man will cover the application of music in the various stages of human lives\u2014from cradle to grave.<\/p>\n

Part VII: Postlude consists of one chapter\u201422:<\/p>\n

Chapter 22: And the Beat Goes On will cover the endurance of the Ancient Egyptian musical traditions into present times.<\/p>\n

Appendices A through E provide expansions on some topics that were discussed in the various chapters.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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\ndi<\/span>\u00a0Mustafa Gadalla<\/a><\/span><\/p>\n

\n

BREVE DESCRIZIONE<\/strong><\/p>\n

Questa nuova edizione ampliata spiega le radici cosmiche delle forme ritmiche musicali e vocali egiziane. Impara i fondamenti (teoria e pratica) della musica nel tipico modo egiziano: semplice, coerente e completo. Fornisce discussioni e dettagli di un inventario degli strumenti musicali dell'antico Egitto spiegandone le gamme e le tecniche di esecuzione. Discute anche della danza ritmica egiziana e delle pratiche armoniche musicali degli antichi egizi e altri articoli vari.<\/p>\n

Anteprima ora (PDF)<\/a><\/p>\n

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